The national dance is the cueca (short for Zamacueca) and first appeared in 1824.

Cueca tournaments are popular around that time of year.

The clothing worn during the cueca dance is very traditional Chilean clothes.

The title of the film refers to the cueca, the Chilean love dance usually performed by a man and a woman.

There are three distinct variants in addition to the traditional cueca:

The cueca from the central region: This genre is mostly seen in Chile.

She told them of the cueca's history as a courting ritual, all passionate, sensual movement.

Each Argentine province has its own style and way of dancing Cueca.

In Argentina, there are many ways of dancing Cueca.

In halting English, she told them of her country, Chile, and its national dance, the cueca.

It has common elements with the cueca.

Its origins lie in the cueca of Chile, whence its name.

The show includes the cueca, the national folk dance, and dances from Easter Island.

The Chiloé cueca: This form has the absence of the cuarteta.

The national dance is the cueca.

Thus they keep alive Chilean folk traditions such as the cueca and huaso costumes.

At this same festival, he also won the 1st pase of cueca rhythm with the theme "Sufriendo".

The white handkerchief must be waved; this writer has seen Chileans using paper handkerchieves from a box rather than dance the cueca without one.

This happens three times and then a cueca is played and danced, but the choreography allows the couples to exchange partners.

El Manguera: A green hose who sings cueca.

Cueca dancing resembles a rooster-chicken relationship.

One of the most important sources for nueva canción is Chilean cueca, a guitar based rural song-form.

The Cueca is the Chilean version of the Peruvian Zamacueca.

In Central Chile, the cueca and tonada dances and songs are the most characteristic styles.

First, a huaso charges into the scene, causing some commotion among the people around, and dances the traditional Chilean cueca accompanied by musicians.