false relation
cross-relation
non-harmonic relation

Does this not strike you as a good case of false relation?

Her collection of short stories False Relations appeared in 2004.

False relation was a common feature of English music of the sixteenth century.

We have no equivalent of parallel fifths or false relations to mark with red pencils.

His music is notable for its use of suspended dissonance, as well as featuring many false relations.

This was a great blow to de Lisle, who considered that "the authorities had been deceived by a false relation of facts".

The pentatonic modality is used throughout, though there are also stirring false relations and chromatic sections.

Consecutive fifths and octaves, augmented intervals, and false relations should still be avoided.

This results in parallel fourths and false relations between F sharp and F natural.

In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red).

This variant is characterized by a penultimate, dominant chord with a split third, thereby creating a false relation between the germane parts.

His style is characterized by delicate writing for the voice, acute sensitivity to the text and the use of "false relations" between the major and minor modes.

Another description of the use of false relation in Byrd's Ave Verum Corpus.

False relation is in this case desirable since this chromatic alteration follows a melodic idea, the rising 'melodic minor'.

The hallmark of this device is the dissonant augmented octave (compound augmented unison) produced by a false relation between the split seventh scale degree.

Despite this, many (predominantly English) musicians consider the device humorous owing to the false relation which sounds unusual to the modern ear, being against the generally accepted rules of harmony.

But whenever I find my dominion over myself not sufficient for me, and undertake the direction of him also, I overstep the truth, and come into false relations to him.

Here the false relation occurs because the top voice is descending in a minor key, and therefore takes the notes of the melodic minor scale descending (the diatonic sixth degree).

The song "Drowsie sun, why dostt thou stay" by Thomas Brewer (no. 253) shows expressive false relations and harmonic word painting, foreshadowing later developments in British sacred music.

The rawness and ugliness of modern European life is the sign . . . of an insufficient or false relation to environment, which produces strain, wasted effort, revolt or failure.

In such cases false relations must occur between different voices, as it follows that they cannot be produced by the semitones that occur diatonically in a mode or scale of any kind.

By diligence and self-command, let him put the bread he eats at his own disposal, that he may not stand in bitter and false relations to other men; for the best good of wealth is freedom.

This was due partly to a period of decline for music and composition in England, as well as to the development of generally accepted rules of harmony in which the false relation was no longer acceptable.

A false relation (also known as cross-relation, non-harmonic relation) is the name of a type of dissonance that sometimes occurs in classical polyphonic music, most commonly in vocal music of the Renaissance.

Can you guess how he will be likely to behave towards his flatterers and his supposed parents, first of all during the period when he is ignorant of the false relation, and then again when he knows?

I believe a cross-relation occurs in the Type B immune system when a vaccine is introduced that causes the body to turn and attack its own tissues.

As a matter of fact, the Setsuban Kanri is adopting approaches which meet the needs of discontinuous production, high product customization and strict cross-relation among the sale, design and production phases.

A false relation (also known as cross-relation, non-harmonic relation) is the name of a type of dissonance that sometimes occurs in classical polyphonic music, most commonly in vocal music of the Renaissance.