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He was also one of the first to use scordatura.
However, in modern performance it is often performed without scordatura.
In his work, scordatura is often required for the viola.
Apart from the first and last sonatas, each is written with a different scordatura.
This is a kind of scordatura (changing the way the strings are tuned).
He would ask string players to tune their strings in different ways (called "scordatura").
Using a scordatura tuning made the instrument sound different.
The alternative tuning, known as scordatura, is not some minor technical detail.
Scordatura notation exists in a number of different types.
There are also double stopping, chords or using scordatura tuning.
In the late 19th century and 20th century there are examples of composers using scordatura.
However, they can be manually tuned to sharp or flat through scordatura prior to performance.
At the time, scordatura tuning was used to produce special effects and execute tricky passages.
Mahler, scordatura violin soloist in the 2nd movement of his 4th Symphony.
He also used scordatura in the same manner as Paganini did in his variations.
Biber's finest scordatura writing is represented in two collections.
Only the first and the last pieces use normal tuning; all others employ some form of scordatura:
The word "scordatura" is an Italian word which means "mistuning".
VII, a different version of scordatura notation is used.
However, non-standard tunings (called scordatura) exist to change the sound of the instrument or create other playing options.
Later guitarists have further extended the repertoire of tonalities, chord positions and scordatura.
Scordatura notation was first used in the late seventeenth century as a way to quickly read music for violin with altered tunings.
Montoya also created a new palo as a solo for guitar, the rondeña in C sharp with scordatura.
He was also among the first composers, after Marco Uccellini, to call for scordatura tunings.
Since all the chords must be formed using adjacent strings, scordatura tunings are the rule rather than the exception.