veduta

He moved to Rome in 1729 and encountered the works of other painters of veduta.

A Veduta is a highly detailed, usually large-scale painting of a cityscape or some other vista.

Coccorante is classified as a veduta (or vista) painter.

Paul Bril with veduta of coast.

Martino's great grandson Angelo Cignaroli, was a painter of veduta, died in 1842.

Johann van Bloemen with a veduta of the Colosseum.

Ignazio Agliaudo (active 1737), was an Italian architect and veduta painter.

Greco was inspired to paint veduta after studying works by Andrea Pozzo.

He produced a number of etchings of capriccio and veduta of classical buildings or ruins.

Francesco Battaglioli, Italian painter of veduta and cappriccios (died 1796)

Antonio Diziani, Italian painter of veduta, landscapes, and vistas (died 1797)

Giuseppe Zocchi, Italian veduta painter and printmaker (died 1767)

Carlo Bonavia, Italian veduta painter (date of birth unknown)

Giovanni Ghisolfi, Italian painter of veduta and capricci, mainly landscapes (died 1683)

His depiction of St. Peters Basilica in 1636 is an unusual work for him in being a veduta, or topographical view.

He Was a Camera Like Canaletto, his famous uncle and teacher, this artist was attracted to the painted veduta, or view.

The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown.

Pietro Gaspari, Italian artist, known for veduta and capriccio in etchings and paintings (died 1785)

He is attracted to the time-honored tradition of the "veduta," views and cityscapes that express underlying messages about life and the quality of life.

The style was not highly influential for Italian painters of landscapes (veduta) in the next century, with the exception of perhaps Alessandro Magnasco.

February 2 - Francesco Maria Raineri, Italian sculptor of battle scenes, landscapes, and veduta with historical or mythologic figures (died 1758)

The most important veduta painter in mid-18th century Dresden was Bernardo Bellotto (nephew of Canaletto, and sometimes actually known by that name), whose pictures can be precisely dated.

Behind the loggia is an unusual veduta of Florence with the Gate of San Frediano (or San Niccolò) and de' Narli's palace.

The work is considered one of Carracci's most important contributions to the veduta genre, which was a model for Domenichino, Nicolas Poussin, Gaspard Dughet and others.

At the age of 17, he travelled to Rome with his friend Antonio Busca where he painted veduta and capricci, mainly landscapes with architectural fragments and ruins.